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In Reply to: Interesting! posted by Victor Khomenko on November 22, 2002 at 08:07:22:
Each of his films was special, an attempt at something different and largely succesful.Disagree about Mozart. Mozart compared to Shostakovich or Mahler-- no way. Not even apples and oranges. French to Chinese food or something on that order.
Woody is much more a lightweight than Mozart IMO. Woody's self absorption is noticeably more obvious in his work than is Mozart's for one main difference.
Like you, I don't have a great affinity for Hitchcock. I've seen most of his stuff, wouldn't care to see it again.
Follow Ups:
***Disagree about Mozart. Mozart compared to Shostakovich or Mahler-- no way. Not even apples and oranges. French to Chinese food or something on that order.Well, that's the problem with simple one-line analogies... but I am sure you got the jist of my statement. No reason to push the analogy, it is not worth it.
***Woody is much more a lightweight than Mozart IMO. Woody's self absorption is noticeably more obvious in his work than is Mozart's for one main difference.Well, to me some parallel is still there. I see certain light elegance in Woody's work, the kind you see in the Louis XVI furniture, that is unique among the film makers (therefore the Mozart parallel). His self absorption CAN irritate for sure, but his best work is unforgettable. Among which I personally love the Crimes the most.
Like you, I don't have a great affinity for Hitchcock. I've seen most of his stuff, wouldn't care to see it again.
Crimes & Misdemeanors is my favorite Woody as well. ;-)I don't feel that because Mahler is a "heavyweight", that makes Mozart a "lightweight." I perceive no lack in Mozart compared to the very different Herr Mahler. Mozart, though he can certainly sound elegant and pretty to modern ears, is a composer of substance and depth. The forms are smaller, true. But is there less truth or genius in Mozart's music because of that?
Frankly, although I acknowledge his importance, I don't have a great affinity for Mahler - I've heard most of his stuff, and wouldn't care to hear much of it again (Das Lied von der Erde and Des Knaben Wunderhorn excepted). I'd rather watch Rear Window than listen to any of the symphonies.
It was just a quick shot, will do better next time. I know - I will stay with the athletes analogies. Here goes: Mozart can run a 100 meter dash in 9.9 seconds, that is GOOD, even DARN good, but not good enough to win gold!How's that?
I guess if we were to take home something critical and substantive from this discussion, then I would like it to be the fact that one needs to look in a much broader sense before allocating Good, Better and Great labels. As we know, the rest of the world, that is all those insignificant places outside the US borders, are swarming with good directors and films. Some of them so outright good it makes you humble.
Mozart is a small, perfect jewel. Platinum setting...no doubt.Seriously, we love ya! Truly. We just wanna put down Mahler!
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