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I really don't know how to go about describing my thoughts on this movie. Maybe I'll start out with the "look" and go from there. Save for the MTV-style opening fight sequence, each scene had interesting visual composition and rustic beauty. The costumes and sets looked as if they had been meticulously crafted. The visual style successfully conveyed a feeling of pain and griminess.The plot really isn't that compelling nor is it original. It's just the basic revenge by a son whose father was killed. Only this time, the son masquerades as an apprentice to gain the trust of his father's killer in order to "get close." Pardon me while I slap the side of my face with my mouth agape in wonder of the literary ingenuity. The backstory between Liam Neesons's and Dan-Day Lewis's characters was more interesting.
The casting is the shining spectacle of this film. However, it's only a spectacle in a sense akin to a 50 foot golden dildo being paraded down 1st avenue. On one hand you have Dan-Day Lewis portraying a villainous character so well that you'd actually root for the bad guy if not for the warped prejudice displayed by the character. On the other hand you have DiCaprio who is far more believable playing a mentally retarded character (Arnie Grape in What's Eating Gilbert Grape). Cameron Diaz plays the "female lead" in the film. Her character is a coniving, shallow, and materialistic woman from start to finish. Her character never shows emotional growth and it probably would have made for a better film if she had been written out of the script. It's an onscreen romance that is solely based on the superficial qualities of each of the actors (I said actors, not characters).
After viewing this movie I'm left with the urge to sue for lost time. Maybe I'm being too harsh. I just don't know. Perhaps this is one of those films that on subsequent viewings will unfold into an engaging classic. That and perhaps cheese will lower cholesterol one day....
Tom §.
Follow Ups:
IMO, definitely not one of Scorcese's better works. Too much look, not enough substance and I had very little real interest in any of the characters who all seemed rather one dimensional and uninteresting. And who edited this thing? There were at least half a dozen very wonky edits that totally interupted any flow the movie was trying to get going.
I enjoyed the film, especially the lavish sets and reconstruction of an earlier period. My own main gripe, already made by (many a) reviewers:Leonardo DeCaprior was miscast. He's a pretty boy, and not inherently mean enough to constitute a formidable opponent for Daniel Day Lewis' "Bill the Butcher."
I really think Colin Farrell would have been perfect. As I recall, his offscreen life included barroom brawls, and he's Irish. He can be threatening . . . but De Caprio just isn't menacing or intimidating enough to make a believable opponent for Bill the Butcher.
To conclude, if they were fightin', who would you bet on? Bill, of course.
I think it should have been a musical. Singing and dancing while they're clubbing and hacking each other to pieces. A show stopper closing number as NYC is being shelled(shelling which didn't happen in real life, btw.) ;-^
Singing and dancing while they're clubbing and hacking each other to piecesHehe, yeah, I almost expected the first scene to end up a combination of "West Side Story" and Michael Jackson's "Beat It" video.
I felt that this film was half-baked (ok, maybe 3/4-baked). The blame is really on Martin Scorsese, as he had on hand a collection of capable actors, but just didn't manipulate them and the story right. His "micro"-cinemagraphic skills are superb, but he needed a bigger step in this film to make it great. It's a mixture of historical and sensational events that just don't go anywhere. None developed more than skin-deep. Too bad.
The film was meant to have an 4 hours playing time...now it is 2 1/5...I wonder if we ever will have it....
Five minutes of Leo leaves me queasy. Like those stove pipe hats, though.
nt
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