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A curiously flat film, competently mounted and well acted, but totally non-involving.
Follow Ups:
It is so trendy to knock Julia Roberts these days. Sure she made some bad flick choices recently, but who hasn't. This film could have been a little softer in it's description of life in the 50's, but a lot of people I know have very little understanding of this era so a more simple depiction may be appropriate. The film should be recognized for a return to ensemble formats which Hollywood has lost contact with as compared to European movies. Also the refering to this as a chick flick is very narrowminded. At least half the audience when I saw this were males , that I presume have a comfortable position with there sexuality. By the way I think Julia is a very beautiful women.
"Mona Lisa Smile?" I can't believe the miscasting of "watermelon smile Julia" as a pedant. Jeez.
NT
... almost grotesquely out of proportion with the rest of her face. I'm sure she's a nice person and a good actress. But honestly, I don't understand why most people consider her so damn attractive.
No wait...that's the opossum. I always confuse those two. ;-P
n
... repleat, I'm sure, with all the standard Hollywood allusions to McCarthyism and the Hollywood blacklist, how the American military-industrial complex promoted a Cold War with the innocent peace-loving Soviets, the obligatory gibes at white middle-class suburban blandness, "exposure" (yes, folks - the story has never been told before) of the oppression of women and minorities, etc.? Yawn. I think I'll pass.
Not that I remember it, I was five.Never figured out where all of Kirsten Dunst's bitchiness came from. It seemed deeper than just a bitch momma--maybe not. They reconciled a little too quickly at the end, I thought.
It's still a prime chick flick good for wives and sweethearts. Get them to go with a girlfriend, though.
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