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In Reply to: High Noon - a Western that leaves you ill posted by Victor Khomenko on January 05, 2004 at 14:00:40:
IMHO, the criminals were representations of an evil that folks were afraid to stand up against even if it meant that they took over the town. The sheriff, played by Cooper, represents more than law; he represents honor and freedom! As a result of the kind of threat facing the community he asked for help and initially deputized several townspeople, but as time drew near for the arrival of the three killers nearly everyone found some excuse to avoid the confrontation; the risks seemed too great. Instead, folks urged him to get on with his life and not to worry about the town; leave before the three criminals arrived as it was easier to let the thugs have their way and run things than fight back. However, in spite of occasional moments of doubt, he felt responsible; he'd taken an oath and was duty bound to serve the community even if it cost him everything. After all, a true hero stands up for justice even if he stands alone.Stanley Kramer's clever and powerful masterpiece is as fresh and relevent today as it was 50 years ago; it's actually a "western" in name only. Still, I'm not too surprised that you didn't care for it!
Follow Ups:
Maybe you were thinking of "Bad Day at Black Rock"?
Stanley Kramer was very involved with getting "High Noon" made, Fred Zinneman's contribution notwithstanding. My understanding is that Kramer was very "hands-on" in the production of this carefully crafted film because of it's subtext reflecting the paranoia of McCarthyism without directly offending those in Washington DC, who had already taken aim at the film industry. "Bad Day at Black Rock" is also an excellent film; I'm glad that you brought it up! This movie was also somewhat controversial at the time of it's release because it dealt with the touchy subject of racism and the forced internment of Japanese-American citizens. Another excellent movie!
First - there four killers, not three. The three were waiting for their leader to arrive. Four went to town, all to be killed by the sheriff.Second - you severely missread my post. Else you wouldn't say I didn't care for it. I said I felt ill and depressed - that is different, and might mean the film had the intended effect.
Being a Western always puts a movie at a disadvantage, as the genre is too particular, to restrictive, but High Noon pushes the envelop, and I like that. It is far more human than the majority of "mechanicsl" Westerns. There is a glimps of humanity in the main hero for sure, and actually in the passive cowards as well.
By comparisson the Rio Bravo is far more cliche driven, with ALL characters being just wooden cutouts with no iterest at all.
All in all, there have been some Westerns I didn't mind watching, but as the general genre that is not my cup of tea. But last night the TMC had the Western night, so I joined for a refresher course. I have seen these before, but still enjoyed the night.
It's been awhile since I watched High Noon and for some unknown reason that fourth killer momentarily evaded my recollection; yes, it does push the envelope and I'm glad you liked it.
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