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In Reply to: I'd say so. posted by rhizomatic on March 03, 2004 at 07:00:32:
This was chosen by Eastwood to emphasize the trapped in the neighborhood lives all were living. He resisted any shots of the Boston skyline, even when they were on the bridge. And the bridge itself is a character, looming behind the neighborhood in many shots.
Just because a talented director chooses low key photography for an overall purpose doesn't mean that choice is "vanilla".
Follow Ups:
they're hyper-dramatic and claustrophobic. A la every other Hollywood film which bullies the viewer into being impressed--much like the overbearing strings that weigh the movie down.
Vanilla film-making. Run of the mill. The Unforgiven was much better, in my opinion.I don't know why he would choose to emphasize the 'trapped' quality of their lives anyway, when that isn't what the film is about. If the film was about "I'm never going to escape this dreaery working-class existence," that might make sense. Although, really, what the film is 'about' I can't say, because it certainly isn't about the 'rippling effects of a childhood trauma' or whatever. Any film that deals with its supposedly determinant moment in less time than it takes to roll through the credits is bound to be lacking in contentfulness. Critics can try and bootstrap the film into profundity, but what happens is: something happens to some kids, then something happens to those same people when they're adults. And the way everyone behaves in the film is just implausible, especially at the very end, which is just plain surreal. And I've flipped through the book and found the writing to be alarmingly poor, so I don't think the film really failed the book. I think they both suffer from heavy-handedness.
Sorry, I don't mean to sound defensive towards you, this is just a sore spot, since I feel like the movie has some obvious and serious flaws, and I didn't read a single reviewer who addressed them, which I found really puzzling.
______________________________
Stranger than that, we're alive!Whatever you think it's more than that, more than that.
-Incredible String Band
Well, we disagree. I thought the book was great and that this movie is the closest a film can come to capturing its essence.
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