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In Reply to: Good Hollywood movies/what happened? posted by Corbu on March 15, 2004 at 17:25:40:
1981 (54th)
BEST PICTURE
Atlantic City -- Denis Heroux and John Kemeny, Producers
* Chariots of Fire -- David Puttnam, Producer
On Golden Pond -- Bruce Gilbert, Producer
Raiders of the Lost Ark -- Frank Marshall, Producer
Reds -- Warren Beatty, Producer
1982 (55th)
BEST PICTURE
E.T. The Extra-Terrestrial -- Steven Spielberg and Kathleen Kennedy, Producers
* Gandhi -- Richard Attenborough, Producer
Missing -- Edward Lewis and Mildred Lewis, Producers
Tootsie -- Sydney Pollack and Dick Richards, Producers
The Verdict -- Richard D. Zanuck and David Brown, Producers
1983 (56th)
BEST PICTURE
The Big Chill -- Michael Shamberg, Producer
The Dresser -- Peter Yates, Producer
The Right Stuff -- Irwin Winkler and Robert Chartoff, Producers
Tender Mercies -- Philip S. Hobel, Producer
* Terms of Endearment -- James L. Brooks, Producer
1984 (57th)
BEST PICTURE
* Amadeus -- Saul Zaentz, Producer
The Killing Fields -- David Puttnam, Producer
A Passage to India -- John Brabourne and Richard Goodwin, Producers
Places in the Heart -- Arlene Donovan, Producer
A Soldier's Story -- Norman Jewison, Ronald L. Schwary and Patrick Palmer, Producers
1985 (58th)
BEST PICTURE
The Color Purple -- Steven Spielberg, Kathleen Kennedy, Frank Marshall and Quincy Jones, Producers
Kiss of the Spider Woman -- David Weisman, Producer
* Out of Africa -- Sydney Pollack, Producer
Prizzi's Honor -- John Foreman, Producer
Witness -- Edward S. Feldman, Producer
1986 (59th)
BEST PICTURE
Children of a Lesser God -- Burt Sugarman and Patrick Palmer, Producers
Hannah and Her Sisters -- Robert Greenhut, Producer
The Mission -- Fernando Ghia and David Puttnam, Producers
* Platoon -- Arnold Kopelson, Producer
A Room with a View -- Ismail Merchant, Producer
1987 (60th)
BEST PICTURE
Broadcast News -- James L. Brooks, Producer
Fatal Attraction -- Stanley R. Jaffe and Sherry Lansing, Producers
Hope and Glory -- John Boorman, Producer
* The Last Emperor -- Jeremy Thomas, Producer
Moonstruck -- Patrick Palmer and Norman Jewison, Producers
1988 (61st)
BEST PICTURE
The Accidental Tourist -- Lawrence Kasdan, Charles Okun and Michael Grillo, Producers
Dangerous Liaisons -- Norma Heyman and Hank Moonjean, Producers
Mississippi Burning -- Frederick Zollo and Robert F. Colesberry, Producers
* Rain Man -- Mark Johnson, Producer
Working Girl -- Douglas Wick, Producer
1989 (62nd)
BEST PICTURE
Born on the Fourth of July -- A. Kitman Ho and Oliver Stone, Producers
Dead Poets Society -- Steven Haft, Paul Junger Witt and Tony Thomas, Producers
* Driving Miss Daisy -- Richard D. Zanuck and Lili Fini Zanuck, Producers
Field of Dreams -- Lawrence Gordon and Charles Gordon, Producers
My Left Foot -- Noel Pearson, Producer
1990 (63rd)
BEST PICTURE
Awakenings -- Walter F. Parkes and Lawrence Lasker, Producers
* Dances With Wolves -- Jim Wilson and Kevin Costner, Producers
Ghost -- Lisa Weinstein, Producer
The Godfather, Part III -- Francis Ford Coppola, Producer
Good Fellas -- Irwin Winkler, Producer
1991 (64th)
BEST PICTURE
Beauty and the Beast -- Don Hahn, Producer
Bugsy -- Mark Johnson, Barry Levinson and Warren Beatty, Producers
JFK -- A. Kitman Ho and Oliver Stone, Producers
The Prince of Tides -- Barbra Streisand and Andrew Karsch, Producers
* The Silence of the Lambs -- Edward Saxon, Kenneth Utt and Ron Bozman, Producers
1992 (65th)
BEST PICTURE
The Crying Game -- Stephen Woolley, Producer
A Few Good Men -- David Brown, Rob Reiner and Andrew Scheinman, Producers
Howards End -- Ismail Merchant, Producer
Scent of a Woman -- Martin Brest, Producer
* Unforgiven -- Clint Eastwood, Producer
1993 (66th)
BEST PICTURE
The Fugitive -- Arnold Kopelson, Producer
In the Name of the Father -- Jim Sheridan, Producer
The Piano -- Jan Chapman, Producer
The Remains of the Day -- Mike Nichols, John Calley and Ismail Merchant, Producers
* Schindler's List -- Steven Spielberg, Gerald R. Molen and Branko Lustig, Producers
1994 (67th)
BEST PICTURE
* Forrest Gump -- Wendy Finerman, Steve Tisch and Steve Starkey, Producers
Four Weddings and a Funeral -- Duncan Kenworthy, Producer
Pulp Fiction -- Lawrence Bender, Producer
Quiz Show -- Robert Redford, Michael Jacobs, Julian Krainin and Michael Nozik, Producers
The Shawshank Redemption -- Niki Marvin, Producer
1995 (68th)
BEST PICTURE
Apollo 13 -- Brian Grazer, Producer
Babe -- George Miller, Doug Mitchell and Bill Miller, Producers
* Braveheart -- Mel Gibson, Alan Ladd, Jr. and Bruce Davey, Producers
The Postman (Il Postino) -- Mario Cecchi Gori, Vittorio Cecchi Gori and Gaetano Daniele, Producers
Sense and Sensibility -- Lindsay Doran, Producer
1996 (69th)
BEST PICTURE
* The English Patient -- Saul Zaentz, Producer
Fargo -- Ethan Coen, Producer
Jerry Maguire -- James L. Brooks, Laurence Mark, Richard Sakai and Cameron Crowe, Producers
Secrets & Lies -- Simon Channing-Williams, Producer
Shine -- Jane Scott, Producer
1997 (70th)
BEST PICTURE
As Good As It Gets -- James L. Brooks, Bridget Johnson and Kristi Zea, Producers
The Full Monty -- Uberto Pasolini, Producer
Good Will Hunting -- Lawrence Bender, Producer
L.A. Confidential -- Arnon Milchan, Curtis Hanson and Michael Nathanson, Producers
* Titanic -- James Cameron and Jon Landau, Producers
1998 (71st)
BEST PICTURE
Elizabeth -- Alison Owen, Eric Fellner and Tim Bevan, Producers
Life Is Beautiful -- Elda Ferri and Gianluigi Braschi, Producers
Saving Private Ryan -- Steven Spielberg, Ian Bryce, Mark Gordon and Gary Levinsohn, Producers
* Shakespeare in Love -- David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick and Marc Norman, Producers
The Thin Red Line -- Robert Michael Geisler, John Roberdeau and Grant Hill, Producers
1999 (72nd)
BEST PICTURE
* American Beauty -- Bruce Cohen and Dan Jinks, Producers
The Cider House Rules -- Richard N. Gladstein, Producer
The Green Mile -- David Valdes and Frank Darabont, Producers
The Insider -- Michael Mann and Pieter Jan Brugge, Producers
The Sixth Sense -- Frank Marshall, Kathleen Kennedy and Barry Mendel, Producers
2000 (73rd)
BEST PICTURE
Chocolat -- David Brown, Kit Golden and Leslie Holleran, Producers
Crouching Tiger, Hidden Dragon -- Bill Kong, Hsu Li Kong and Ang Lee, Producers
Erin Brockovich -- Danny DeVito, Michael Shamberg and Stacey Sher, Producers
* Gladiator -- Douglas Wick, David Franzoni and Branko Lustig, Producers
Traffic -- Edward Zwick, Marshall Herskovitz and Laura Bickford, Producers
2001 (74th)
BEST PICTURE
* A Beautiful Mind -- Brian Grazer and Ron Howard, Producers
Gosford Park -- Robert Altman, Bob Balaban and David Levy, Producers
In the Bedroom -- Graham Leader, Ross Katz and Todd Field, Producers
The Lord of the Rings: The Fellowship of the Ring -- Peter Jackson, Fran Walsh and Barrie M. Osborne, Producers
Moulin Rouge -- Martin Brown, Baz Luhrmann and Fred Baron, Producers
2002 (75th)
BEST PICTURE
* Chicago -- Martin Richards, Producer
Gangs of New York -- Alberto Grimaldi and Harvey Weinstein, Producers
The Hours -- Scott Rudin and Robert Fox, Producers
The Lord of the Rings: The Two Towers -- Barrie M. Osborne, Fran Walsh and Peter Jackson, Producers
The Pianist -- Roman Polanski, Robert Benmussa and Alain Sarde, Producers
2003 (76th)
BEST PICTURE
* The Lord of the Rings: The Return of the King -- Barrie M. Osborne, Peter Jackson and Fran Walsh, Producers
Lost in Translation -- Ross Katz and Sofia Coppola, Producers
Master and Commander: The Far Side of the World -- Samuel Goldwyn, Jr., Peter Weir and Duncan Henderson, Producers
Mystic River -- Robert Lorenz, Judie G. Hoyt and Clint Eastwood, Producers
Seabiscuit -- Kathleen Kennedy, Frank Marshall and Gary Ross, Producers
Follow Ups:
What a telling post! Almost (almost) every winner was the worst of the contenders, particularly "Chariots of Fire".
Of that bunch:Atlantic City -- Denis Heroux and John Kemeny, Producers
* Chariots of Fire -- David Puttnam, Producer
On Golden Pond -- Bruce Gilbert, Producer
Raiders of the Lost Ark -- Frank Marshall, Producer
Reds -- Warren Beatty, ProducerI think Chariots is the least offensive. Let's face it - Atlantic City had boobs and great Norma aria (was it Callas? I think so...), but it was an ultra-sentimental kaka. On Golden Pond was I thought so silly and corny I had syrup all over my pants. Raiders? Pass on. Reds? Oh, boy...
The Chariots might not be a great film, but that company did make it stand out.
I don't recall that year - what else was out there then? Could it have been as lean as this list indicates?
" Chariots "was a good film! I have always fun, which I do regulary, at watching it. Very British.
I like it much.I wonder what Rico do find wrong with it and with such pugnacity as it is not the first time that he state his unpleasure.
rico just made an example..If you take almost any post-1981 Oscar best picture winner, they almost uniformly SUCK.
Forest Gump. I will be forever baffled by Forest Gump.Forest Gump, Braveheart, the English Patient, Titanic.... Even the nominees from which these films were chosen pale next to previous years.
Not that the Academy Awards are a reliable guage, but the list here does present a decline, and while it doesn't begin with Forest Gump, with it the game has finally and definitively changed.
I hate Forest Gump the movie too. It's the diametric opposite of Shawshank Redemption.
Exatcly what I wrote a few days ago, you just have to look at the chronology of the past" oscars " as you did to the " fall of the Roman Empire.
And I think that the great mogules of the past, did want of course makes money in the first but they had ambitions too, and that was to make good films, for the posterity. Look at the biography of the famous among them!
I think very few try to do that now.
Aprés moi, le deluge......
When was Marthy? 1955? The decay was already in full bloom.
Yes, after you could count the " good films ", but still some strong did make it till the Seventies.
Pictures? No. Email?
Yes on Email !
No... let me send you one so you could reply again.But give me twenty minutes - I need to clean our mail area some. When it is full, some large files, like pictures, might make email bounce.
Actually Spamfire updated and since three days I have problems getting my post!
The first signs of trouble might have been the early-70's Irwin Allen disaster movies. Then came "Jaws" in 1975 - a fine movie, but also the first genuine Hollywood summer blockbuster. But it's 1977's "Star Wars" that once and for all changed the mentality of Hollywood toward producing big-budget special effects driven summer blockbusters that appeal to a broad youth audience at the expense of smaller films that appealed to niche older audiences. Reinforcing the trend around this time, production costs started becoming so high that producers, writers and directors had to answer to studio accountants and marketing consultants instead of relying solely on their own artistic vision and hope that a small, "quality" film would naturally find its audience.
What did improve in others part of life? Quality is sinking, just look around.....
--What did improve in others part of life?
How about the rise of computers and the Internet?
You know that the reason number one to die are medicaments, a stay in hospital may be lethal too.
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