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In Reply to: "The Man Who Wasn't There" posted by rico on August 30, 2004 at 12:08:22:
Not only is the cinematography outstanding, Billy Bob nails it. That's his time period ('48 or '49?). The opening sequence with him describing haircuts had me rolling.
Follow Ups:
albee33,I was bowled over by this one. As you say the photography and acting by Thorton was impressive, but what struck me equally was the convincingly seredipitous plots and sunplots. The events and characters that fade in and out- the sub plot of the girl that Thorton wants to promote as a concert pianist that shows Thorton's longing for involvement, connection into family, to be noticed. And the murder which was the explosion of all his held-in life-long frustrations rang very true. The very accidental way in which he gets interested in the dry cleaning too worked very well for me as you could see him suddenly latching onto the idea as a way to break the pattern of his very dull, passive life as an employee barber. The barber shop owner was a very realistic character as well.
My favourite Thorton along with "Sling Blade". Compare Thorton's personality and appearance in those two- he's quite amazing.
[I'm not too sure of Thorton's judgment in his personal life- pushing Angelina Jolie out the door is something I would have recommended he thought about a bit longer..]
"TMWWT" was so indelible I haven't seen it since it came out, but thanks rico for the reminder for another go.
Cheers,
Bam
What I did not appreciate until I watched the special features is that the tragedy and deaths in the film all occur because the Billy Bob Thornton charachter wants to be a dry cleaner. In most films, people kill for love, sex, money. He kills because he wants to be in dry cleaning. Classic Coen. They were almost giddy explaining the backstory.
I did like the film, but I am not so certain about it. How many times did you see it?
I have seen it four times and enjoy it more each time.
I will it give a second look then.
n
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