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In Reply to: Sideways: posted by tinear on February 2, 2005 at 13:14:05:
This film has racked up the recoginition . . .
----Be right there, Mom.
Follow Ups:
for I must do my own swallowing. Giamatti's character was so over the top "loser" that it hurt. Can we spell m-e-l-o-d-r-a-m-a?
Reality check: if you think that chick would have called him back after that self-serving, whining, self-lacerating and self-pitying message....well, go for it.
I don't understand why guys like to see such jerks end up with babes (blonde, smart, and with a SERIOUS rack) when it's so out of touch w/reality. Wait a mintute....now I understand.
What about people who eat pate' and call it shit? At least the former have more fun eating.
No offense, but did the hurt strike you at home in any way? In response to just this kind of criticism of his character, a friend of mine observed that "film critics don't suffer yuppies lightly, not especially yuppie film critics."Reality check: if you think that chick would have called him back after that self-serving, whining, self-lacerating and self-pitying message....well, go for it.
This comment baffles the hell out of me. Do you live your life in a John Wayne movie? Or a Rumsfeld press conference? Self-serving? Hardly. Sincere, deeply regretful, and heartbroken is more like it. Self-pitying? Well, sure. I'm not sure whether to congratulate or pity you for the apparently square-jawed, unscarred emtional life from which you're criticizing Giamatti's character.
I don't understand why guys like to see such jerks end up with babes (blonde, smart, and with a SERIOUS rack) when it's so out of touch w/reality. Wait a mintute....now I understand.
A-haaa. Ha ha. I seee. Yes, I'll admit that Giamatti was pretty well outclassed by her in terms of physical beauty--though I happen to think blondes and SERIOUS racks are grossly overrated, so maybe I think he's maybe a tad less outclassed than you do. But there was more to his character than this broad tarring of "jerk," (though that's not to deny he was a jerk) and I think the chemistry between him and her was very convincingly pulled off.
Payne's films are refreshing for their deeply flawed "heroes." I read recently . . . where did I read this? Oh. I was reading Harold Bloom's chapter on Ibsen in The Western Canon , and there he cites a critic who refers to Ibsen's characters as instancing the truism that most people's virtues are implicated in their faults. The flipside to this, which I think is no less true, is that most people's virtues are indebted to their faults. I think Giamatti's character fits this bill. His faults just happened to be more apparent for his being at a decidedly low point in his life (still carying a torch for his ex-wife, unable to get published, deeply disappointed, yes, self-pitying, etc.), sunk all the lower by his regretful betrayal of a woman who looks to be a fresh turn of fortune for him.
Also, while I agree that as a crafted film Sideways leaves much to be desired, and that it did have its share of over-the-top moments (the retrieval of the wallet, however funny, I could have done without), I think it was very self-consciously flirting with some of its sylistic cliches. It also has what is in my limited experience the best depiction of drunkenness in the history of film.
I do think the film was well crafted, from the use of the unpublished book as metaphor (which although hardly completely original, was not too overplayed), to the ending, which I think was nearly perfect.The "wallet retrieval" scene, I think was great and established (or at least reinforced) some character traits in both characters. And also was a great illustration of how wierd life can be sometimes.
In Vino Veritas
a while later after receiving a letter from him and reading his book. At the very least this allows one to believe that he expresses himself better in writing.
"Where are we going? And what am I doing in this hand basket?"
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