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In no particular order:
Bergman
Hitchcock
Lubitsch
Jean Renoir
Tartowsky
Kurosawa
Billy Wilder
Chaplin
John ford
FelliniI mean the one you can see and see ever again.
Follow Ups:
..Great body of work, rather than individual favourite films:Wong Kar Wai: look at the films..Days of Being Wild, Chungking Express, Ashes of Time, Happy Together, In The Mood For Love (haven't watched my copy of 2046 yet)
Hideaki Anno: Sustained brilliance through 25 episodes of Evangelion (that's something like 12-13 hours work of work!), and then Kareshi Kanojyo no Jijyo.
Hayao Miyazaki: incredibly sustained run between Nausicaa and Sen to Chihiro no Kamikakushi. Favourite film is still Tonari no Totoro. But this is
conditional vote...I think his partner, Isao Takahata, the more interesting director.
Shunji Iwai: Love Letter, Swallowtail Butterfly, April Story, All About Lily Chou Chou.
Satyajit Ray: Pather Panchali, Apajito, World of Apu, all the way to Agantuk.
In the Mood of Love...A boring´s boring film. It got mostly very good review, but what a bore!
n/t
Hardly any mention of Federico Fellini and Jean-Luc Godard.Fellini's "La Dolce Vita" and "8 1/2" are, in my opinion, two of the finest sound films of the second half of the twentieth century. Godard's "My Life To Live" is a great philosophical treatise on modern life. And, wow, Anna Karina's performance!
Really, how can they be ignored? This is all so personal and subjective but one should have some historical context before stating favorite directors of all time.
Responses to this thread are pretty much commercial Hollywood guys and recent films.
I believe my choices, as well as those of several other inmates, do indeed reflect sufficient historical perspective. (My list includes directors from the silent era to the present, thank you very much.)Patrick asked "who are your ten *favorite* directors", not "who are the ten *best* directors of all time, or the most "influential directors of all time, or the most "important" directors of all time, so the choices are bound to be very personal - which is what makes the responses so interesting.
For me this meant many "great" directors whose films I admire - or even love - didn't make my list: Welles, Eisenstien, Bergman, Ray, Truffaut, Fellini, Lang, Lean, Visconti, Bunuel, De Sica, Fellini, Fassbinder, Wilder, Hawks and many others.
I've always had somewhat mixed feelings about the brilliant Monsieur Goddard. While I agree his movies can be fascinating and provocative, and I readily admit he is one of the most important and influential filmmakers of the past 50 years, the fact remains...I don't love him, not yet. I plan to revisit his films, and perhaps I'll change my mind.
Until then...a "favorite"? For you "oui", for me "no".
Well send post & so true. Congratulations.
As far I am concerned, I do not like J-L Godard particulary but respect his intellectualism,
But I feel that one day I will have to re-introduce him to myself...Fellini? One of the very finest.
So where are Ken Russell and Nicolas Roeg? Regards,
Walkabout, Performance (w/Cammell) and Don't look Now are three of my alltime faves.I've got very mixed emotions about Russell. The only films of his I own are Women In Love and The Boyfriend.
To be "unstraight" in my book you have to be familiar with the films od Stan Brakhage.
That´s only two.
Sam Fuller: ever seen "The Steel Helmet"? Regards,
No. In fact I hardly have seen any of his films, beside his very first I think. Not longuely ago I ask for the " Big Red One " and every body did NOT recommend it here, so....
My favorite Fullers are Shock Corridor, Pick-up On South Street and the Naked Kiss. Fuller is a a gen-you-wine American original.
In addition,Scosese
Lynch
Hitchcock
Speilberg
Kubrick
Coen Bros.
Tarantino
R. Scott
J. Cameron
Tim Burton
J. Demme
and to make it an even Baker's dozen
It would be then BE´s " Victor & Victoria " of which I am very fond, particulary the first half an hour.
nt
To me, up there with his Pink Panther films.
Well I do not particulary love his Pink Panther as for S.O.B, I need another shot at it.
your disdain for the Pink Panther series. Doesn't exactly portray French "policing" in a positive light ;-), n'est pas?
You are doing me injustice, sniff.....
BTW I ordered SOB.....
My French is horrendous, but I think you get the idea
Not so bad at all!
I will.
in no particular order:George Lucas
Steven Spielberg
Joss Whedon
Richard Linklater
Ridley Scott
Peter Jackson
James Cameron
Michael Bay
Robert Zemekis
Michael Mann
Rob CThe world was made for people not cursed with self-awareness
I never said the " Hollywood best directors " list...He-he...
Don't know any non-American directors. I do like
Luc Besson.
Rob CThe world was made for people not cursed with self-awareness
.
Rob CThe world was made for people not cursed with self-awareness
These are personal "favorites" - my list of "great" and "greatly admired" directors would be much, much longer. (Hence Sturges'inclusion and Bergman's, Kubrick's, Eisenstein's and Tarkovsky's absence.)In no particular order:
Jean Renoir
Alfred Hitchcock
W.F. Murnau
Carl Dreyer
Charles Chaplin
Buster Keaton
Michael Powell/Emeric Pressburger
Yasujiro Ozu
John Ford
Akira Kurosawa
Kenji Mizoguchi
John Huston
Preston Sturges
Alain Resnais
Martin Scorsese
Peter Greenaway
David Lynch
Zhang Yimou
Mike Leigh
Peter WeirThese folks could be on the list someday...
Michael Winterbottom
Alphonso Cuaron
Darren Aronofsky
Alejandro Innaritu
Spike Jonze
Christopher Nolan
Alejandro Amenabar
Abbas Kiarostami
Ah les femmes!
...Guillermo del Toro to the list of director's on my watch list. I'm not as keen on his studio movies but I loved The Devil's Backbone.
Luis Buñuel
Alain Resnais
Preston Sturges
Yasujiro Ozu
Robert Bresson
Andrei Tarkovski
Ingmar Bergman
Jean-Pierre and Luc Dardenne
Mikio Naruse
Krzysztof Kieslowski
I loved seeing Preston Sturges on the same list as Robert Bresson, Luis Bunuel, and Ingmar Bergman! Thanks, Donald!Barbara Stanwyck in "The Lady Eve"
Joel McCrea trying to zip up Claudette Colbert's dress in "The Palm Beach Story"
Everyone in "The Miracle of Morgan's Creek" ("I think his name was something like Ratskywatsky!)PS: When I showed my mother "Sullivan's Travels" she became very upset during the middle sequence when Sullivan finds himself in very big trouble. She began crying and said, "You just do not know...you have to be so careful...five seconds can change your life." Growing up in rural Oklahoma in the Forties and Fifites, she saw one or two things that this film strongly reminded her of.
I would not go so far. But I love the guy and most of his films too.
A very good list, I must say, with the exception of Kieslowski, his trilogy been just full of nothing, in my senses....
.
Sorry I can not say, as I saw only a part of them and too long ago.
...in a flashy envelope, which is worth much more than the hot air it contains...Regards
.
I think that Bernardo told it the best possible way! I mean our view on this trilogy!
A film that is all form without contend.
Empty.
But I must say that the first one did at first attrct me too. I soon realised my mistake, after the second and third part.
So empty as the music in part one.
The trilogy is overflowing with content, though the style is perhaps strong enough to obscure it for the unobservant.
He-he a nice vice-versa....
Sidney Lumet would make my top 10. I just love so many of his films! To name a few ...
Running on Empty -The Verdict - Deathtrap- Equus- Network - Dog Day Afternoon -The Offence - The Anderson Tapes -The Hill - The Pawnbroker -The Fugitive Kind -12 Angry Men
Patrick,Directors who I can usually** rely on for a rollicking good time- in no order:
Eisenstein
Murnau
Lang
Hitchcock
Fellini
Bergman
Scorcese
Kurosawa
Lynch
Tarkovsky
Burton
Kubrick
Capra
Wilder
Reed
Welles
Bunuel
Truffaut
Godard
Coen (Bros.)-there's 20 of my 10 favourites! And probably more than 2/3 of the associated movies are in black in white,..
and almost directors:Frankenheimer
Sayles
Eastwood !
Guest !I go through periods during which different directors appeal and others fade. At the moment, I think the finest movie ever made was "Seven Samurai" and perhaps nearly: "The third Man", but I reserve the rigfht to change this opinion after 4PM.
**Oui, habituellement, mais nous ne pouvons pas permettre une acceptation des directeurs de film de perfection sommes deja assez arrogants!
Salut,
The Seven Samurai and Stagecoach are in the same " veine. "
In no particular order...Ernst Lubitsch
Alfred Hitchcock
John Ford
Frank Capra
Stanley Kubrick
Michael Curtiz
John Huston
Billy Wilder
William Wyler
Francis Ford CoppolaHonorable mentions-Preston Sturges, Stanley Donen (Singing in the Rain is the most perfect musical ever) Steven Spielberg, Mel Brooks, Fritz Lang, Robert Zemeckis.
Like most and/or all key films by...F.W. Murnau
Fritz Lang
Lord Peter Jackson
Orson Welles
Tim Burton
G. W. Pabst
Erich Von Stroheim
Josef Von Sternberg
James Von Cameron
William Von Whitney (esp., in colaboration with Sir John English)Like some or most, but not all:
Sir Charles Chaplin
Terry Gillium
Steven Von Spielberg
Grand Wazoo Sam Ramey
Sam Pekinpah
Michael Curtiz
John Huston
Emporer Paul Verhoeven
Frank Capra-(corn)
Ingmar Bergman (...but I still prefer things blowing up)-and work by artists who controlled & crafted their own product, ergo:
Buster Keaton (often uncredited or crafted)
Harold Lloyd (uncredited or crafted)
Lord Douglas Fairbanks (uncredited or crafted)
Lady Mary Pickford (uncredited, but crafted)
The Marx Brothers (crafted)Incomplete list and always subject to change, of course.
Capra belong is the very short list, no doubt.
In no order. Wait, it's alphabetical! :)Terry Gilliam
Alfred Hitchcock
Jean-Pierre Jeunet
Stanley Kubrick
Fritz Lang
David Lynch
Hayao Miyazaki
Sydney Pollack
Martin Scorsese
Ridley ScottTarantino was close to being on the list, but Jeunet knocked him off.
/*Music is subjective. Sound is not.*/
/*Music is subjective. Sound is not.*/
And I just " Stage Fright "...
Am I glad to see an " Hitch " on a list, beside mine! He-he!
Bergman
Fellini
Allen
Renoir
Hitchcock
Antonioni
Ford
Wilder
Kurasawa
HustonActually, this is much harder to do than "Ten favorite movies" - There are so many directors who did one or two of my favorite movies, not a whole body of excellent work (Wenders and Coppola come to mind).
In Vino Veritas
I think The Conversation, Apocalypse Now & most of the first two Godfathers are brilliant, yet I can't put Coppola in my top ten.
And a lot more comes to my mind too!Our list is very close, save for W.Allen that I very like, particulary " Hannah and her Sisters "
but not enough for the ten, but for the thirty....
Top 10 favorite directors...the ones I can see over and over again?Orson Welles
Sam Peckinpah
Robert Altman
Sergei Eisenstein
Jean Renoir
Charles Chaplin
Buster Keaton
Stanley Kubrick
Tex Avery
Akira KurosawapatrickU, you should have made it "your favorite FORTY film directors"! I can't believe I have put together a list like this without Godard! But this is my list THIS morning!
Ha-ha! The same here....
PS: Who is tex Avery? And what is his best that you could recommend to me?
Tex Avery was a cartoon director for Warner Bros. in the Thirties and early Forties, and for MGM in the Forties and Fifties. He was nicknamed "Tex" because he was born and raised in Dallas, and came to Hollywood to work in cartoons in the mid Thirties. When hired by Warner Bros, he helped organize the group at "Termite Terrace," which included Chuck Jones and Friz Freleng and Bob Campbell. In 1940 he took a rabbit character used in two earlier cartoons and created the personality of Bugs Bunny, giving him the line "What's up, Doc?" etc. in the cartoon "A Wild Hare."In 1942 he moved to MGM, where he did his best work. If you have a laserdisc player I recommend the MGM laserdisc set "The Compleat Tex Avery." Here his work centered on refining the American short cartoon to what many consider its zenith, and he was a major influence on fellow MGM workers Hanna-Barbara's work on their "Tom & Jerry" series. If you have seen the "Droopy" cartoons from the Forties and early Fifties, you have seen examples of this work.
In the Fifties he suffered a breakdown from overwork and exhaustion and when he returned to MGM, he saw that the handwriting was on the wall as far as the salad days of the short cartoon. He left MGM and after a short stint working for one last company, organized his own advertising company, making cartoon commercials. If you ever saw the bugs scatter when they heard the word "RAID?!!" you have seen more of Avery's work. In the late Sixties he was asked to animate a commercial using Bugs Bunny and was asked if he knew anything about the character!
Using the guidelines you provided for "10 favorite directors" Avery is one of mine, regardless of the fact that he was an animation director. His cartoons are simply amazing and hold up well today, because he didn't draw them for small children...he made them for himself (his cartoons about wolves lusting after exquisitely-drawn dancing girls will prove that)!
If you have access to programs that show cartoons of the Thirties and Forties, here are my recommendations:
A Wild Hare (1940)
Dumb-Hounded (1943)
Red Hot Riding Hood (1943)
What's Buzzin' Buzzard (1943)
King Size Canary (1947)
Bad Luck Blackie (1949)
Doggone Tired (1949)
Rural Little Riding Hood (1949) my all-time favorite Avery film!
Rock-A-Bye Bear (1952)
The Three Little Pups (1953)Here is a link below to a site with more information on Avery.
This may not be like Victor comparing Dohzhenko to Pudovkin, but great film is great film!
And if you have never seen an Avery cartoon, I urge you to look for them! Bug-eyed double takes, expressive use of sound effects, etc...just amazing work all the way around!
Sorry I could not answer sooner. My internet connection is only intermittently working for the next week!
To this day there have never been any cartoons that compare to Avery's five MGM cartoons featuring Screwball Squirrel. The star is literally insane, abrasive to the point of being unlikeable, with an annoying laugh and a nasal drip that frequently causes him to sniff loudly. 1944's Screwball Squirrel introduced him with a big slap at Disney. We first meet the very cute but realistically drawn Disneyesque Sammy Squirrel. Garish orange grotesque Screwball Squirrel arrives, and Sammy explains that the cartoon will be about Sammy and his forest friends and his fluffy tail. Screwball groans "Oh brother, not that!", lures Sammy behind a tree, and beats the crap out of him. From that point Avery dispenses with all pretense of a plot and the cartoons are non - stop Avery gags and violence. The other characters have no purpose other than to be victims of Screwball Squirrel. Avery throws away all rules of the real world too. As Screwball Squirrel himself observes, "in a cartoon anything can happen." In the fifth and last Screwball Squirrel cartoon, Lonesome Lenny , Avery defied another cartoon convention by killing the character! Anarchic to the end, the dead Screwball Squirrel gets the last word by holding up a sign that says "Sad, ain't it?"A short Windows Media extract of a Screwball Squirrel cartoon can be viewed at the link below.
Hey...Tex did SO many great ones! You try naming just a few to give a representative sample to someone unfamiliar with his work!I love Sammy Squirrel! Everything Avery hated about "fuzzy-wuzzy animals"!
Thanks for reminding about Sammy and all his friends in the forest and his cute tail....
Yeah, picking an Tex Avery "top 10" list is tough, even if you limit yourself to the 67 MGM cartoons. I'd say picking "The Best Avery Cartoon" is easier. I'd go with Little Rural Riding Hood I think. It's got to be the greatest portrayal of male lust in all of cinema, live action or animated.
Bugs Bunny...One of my first love, sitting on a bench at school and looking with a widr open mouth...
LD? Long sold.Yes you are fully right. A great film is a great film. bediede the name Walt Disney my knowledge is a desert. And why because of a ceratin arrogance and because cartoons are mostly considered as a minor art.
Wrongly.
Than you for the time and patience.
Well, the 7-minute-long animated short may not be the apex of film art, but who cares when they are so funny and encapsulate so much of one's culture?You brought up Disney. It is interesting to see how innovative Disney was in the Twenties and Thirties, and how, the minute he could make features, his shorts department began to suffer, with the innovation passing to Warner Bros, M-G-M, and, gosh, what was the name of the company that made the original "Popeye" cartoons? Oh, yeah, Max Fleischer! Just in time for Avery and the other directors I named to make their marks, because Disney never would have allowed some of the things they did in their cartoons after, say, 1933. The more successful he got, the less subversive he got.
John Canemaker and Joe Adamson have written two very good books on Avery, and Leonard Maltin wrote an excellent overall view of the history of the American animated cartoon, if you ever have the time and inclination to pursue Bugs Bunny, Daffy Duck, Droopy, and the Wolf, etc., in more depth.
If you would take one book what would it be?
If you want just one book, I suggest the Maltin. It is a very good overview of American animation from the Twenties to the Sixties. His writing on Disney, Avery, etc., lays out the basics of a film genre you say your knowledge of is a "desert," and while not a deep tome, is informative and will cover all the bases.The Adamson book (Tex Avery, King of Cartoons) is like an expanded chapter of the Maltin book, concerning only Avery. It is a quick read, and I don't recommend it unless you find after viewing the Avery cartoons I and Rob Doorack recommend that you need more information about Avery and his work.
The Canamaker book (Tex Avery, the MGM Years 1942-1955) is a lavish look at Avery's MGM years. Great book, with wonderful illustrations, and although it is out of print, one can purchase it used through amazon.com or other sources.
Below is a link to the Maltin book on amazon.com to kind of give you a place to start looking for it:
- http://www.amazon.com/exec/obidos/tg/detail/-/0452259932/qid=1122170109/sr=1-39/ref=sr_1_39/002-0569498-6229634?v=glance&s=books (Open in New Window)
What is left for me to say? But it is very kind of you. Book oredede of course.
Merci beaucoup.
DeMille
Scorsesee
Tarantino
Spielberg
Cameron
Jackson
Forman
Demme
Lean
Kubrick
Kubrick....Lean...Here it goes....I should have made a twenty....
Bergman
Tati
Antonioni
Bresson
Sautet
Tarkowski
Dryer
Kieslowski
Angelopoulos
Truffaut
But then who is not?
Clint Eastwood
Dario Argento
George Lucas
Coen Brothers (wait, did they direct or just produce?)
Roger Coreman
Ron Howard
Lucas? have you ever read his dialogs?
Frank Capra
David Lynch
John Sayles
Sergei Mikhailovich Eisenstein
Alfred Hitchcock
David Cronenberg
Billy Wilder
John Ford
John Huston
Jim Jarmusch
n/t
*
I dont expect much action with that one.
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