Films/DVD Asylum

Posted by tinear (A) on October 18, 2005 at 12:05:32

The silent version (he remade it several decades later) is a beautifully filmed and acted commentary on fatherhood and responsibility. The added-later score, classical piano pieces, is a bit intense and intruding, but does not detract if played at background level.
The love interest, Otaka, of the theater director is hauntingly beautiful; the principal is strong without having to frown or resort to other outward cliches: the director also doesn't see the necessity to give "proof" to his character. The characters are drawn almost imperceptively, as subtly as their Ozu-trademark hand movements.
It's hard to convey why this movie is so special because it is an ensemble piece played very softly.
Slowly, we are drawn into this almost dark tale of revenge, never sure of the resolution.
You will be in suspense until the final moments.
If you're used to many Hollywood or German silent movies, with their over-the-top mannerisms, you'll pleasantly be surprised.