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In Reply to: To hell with the story........ posted by photoguy on December 15, 2005 at 16:37:29:
***Practically every film you've ever seen since this one was made stole the techniques originated in this film.Oh, yeah? That's a VERY tall statement, man. Or you simply have not seen anything made before that time?
Follow Ups:
> Or you simply have not seen anything made before that time?Are you talking about the beautifully shot epics and European films of the 20's and 30's, with the laughably bad vaudevillian acting and clunky directing?
I consider Citizen Kane to be the maturation point of filmmaking, until then nobody got the complete package of a film quite right. Either it had fine acting and amaturish cinematography, or throwback, theater-style overacting with lovely visuals. Welles got it all correct.
Sounds like you need to get an account with Netflix.
I'm a big fan of Metropolis, I own both the cheesy 80's release and the new cut with the extra footage they've found, as well as the excellent Alloy Orchestra soundtrack and interesting anime remake. It's a groundbreaking film, but in many respects it's relatively primitive compared to Kane. M is superior in many ways to Metropolis, but lacks the intricate plot and character dynamics of Kane.I don't think that all the films before Kane were crap, they were just, for the most part, unsophisticated in one way or another.
/*Music is subjective. Sound is not.*/
Kane's multi-faceted approach in story telling e.g., voice-overs, flash-backs, expanded the powers of cinema. Your examples are fine films however they don't approach the cinematic gestalt of Kane.
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