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In Reply to: Are you as persuasive with girls? posted by Victor Khomenko on April 11, 2006 at 19:00:46:
However, most films, when they depict poorer people, do a miserable job of showing what the lives are like. It doesn't help when an actor with the wrong speech pattern (or accent), exaggerated mannerisms, and inappropriate behavior tries to assume the role of a working class person. A similarly poor portrayal of a rich person would lead to raucous objection within the theater.
Anyhow, in this type of film, which is told in a documentary-like manner, the appearance of "truthfullness" is critical. One false note and the effort would collapse.
Did I mention that the homes shown are actual actors' residences? Hee heeeeeeee
Follow Ups:
It is true about an actor grossly not fitting the role, but that doesn't seem to happen in films we consider good - and there are many good examples, to the point of directors hiring local people to play major roles - usually that happens in movies about difficult lives of common people, of course, as I would not expect anyone to hire a Newport aristocrat to play Claus Vobn Bulow... althogh I must admit Jeremy Irons comes dangerously close!
you must see Barbet Shroeder's Our Lady of the Assassins: it's at least as good a film.
I've seen it twice and I look forward to seeing it again.
A middle-aged man returns to his hometown of Medellin after many years away and encounters a young person from a very different background.
Imagine a South American version of "Death in Venice" minus the self-consciousness.
Well, I didn't quite say I liked the Reversal... I thought it was just OK for a docu-drama, except of course I liked Irons there, but I added that Lady to the queue... heavens know all these discussions are not helping the queue situation much! We can realistically do about 12 Netflix films a month, that with no travel.
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