|
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
205.170.10.248
I doubt if everyone will agree to the names on this list more than to the names on any other list of movies...but interesting selection....I'm sure everyone here has his/her own opinion on which movies are most controversial.
Follow Ups:
but then again matters surrounding the existence/nonexistence of a God or Gods has always been controversial...
Even the Kazantzakis is pro-Christ, although perhaps less so the Scorsese movie... I missed it...
(nt)
didn't get it...and others just obeyed their histerical clergy and stayed away.Considering Clark's statement, he didn't get it either...except for the matter of our non-Christian society. Just not in the way he thinks, I am afraid.
That is Entertainment Weekly's list. They qualified it:"Collectively, they are many things. Outrageous. Deplorable. Challenging. And even deeply rewarding. We declined to include such inside-baseball controversies like Citizen Kane, or controversies that raged mostly among critics, like Blue Velvet. Instead, we focused on films that remind us that movies are a social experience, and that have the power to shake, rattle, and roll the world."
.
s
.
Ex nihilo, nihil fit . . .
...heavy.
aaa
'Freaks', ironically enough, is foremost a human interest story;'Island of Lost Souls' was banned from viewing in England for a large number of years, I believe; 'Last House On The Left' was somewhat controversial: Roger Ebert rated it 4 stars, Leonard Maltin rated it a disgusting bomb! ~AH
I wonder what was so "contraversial" about the Caligula?
Pretty controversial.
I rushed out to see Caligula when it came out but was very dissappointed that it was nothing more than a disjointed film with some hard-core porn thrown in for fun...Rushed out to see Blue Velvet as well based on my viewing of Elephant Man (which IMHO is one of the best films I've ever seen) and after said...huh? As a friend of mine described it "that movie was weird for weird's sake...Lynch redeemed himself with The Straight Story though...
Really, Victor!
It seems this article was motivated more by advertisers and mass market brand marketing analysis people than anyone who knows anything about films and cinema: I would think that Tod Browning's FREAKS, Orson Wells, CITIZEN KANE, Terry Gilliam's BRAZIL, Martin Scorsezee's THE LAST TEMPTATION OF CHRIST, and I would have thought DOCTOR STRANGELOVE would have ranked higher than A CLOCKWORK ORANGE. Kubrick even had to place a disclaimer at the head after it was released. It is certainly his better piece IMHO. Gilliam had to place a full complaint page ad in a newspaper to get MCA to release BRAZIL. If Wells hadn't threatened to sue RKO over right of free speech, CITIZEN KANE would never have been released and probably burned. Ray Hughes
"I take you as you are
And make of you what I will,
Skunk-bear, carcajou, bloodthirsty
Non-survivor.
Lord, let me die but not die out." THE LAST WOLVERINE by James Dickey
This post is made possible by the generous support of people like you and our sponsors: