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A few weeks ago I received a wonderful gift from a good friend here - the Russian film by Karen Shakhnazarov: "The Rider Named Death". Then of course bad thing happened... I put it where I knew I would find it, except my wife happened to be in one of her cleaning moods, so she "organized" everything... all my attempts at finding it ended unsucessfully... until two days ago, when I finally discovered it tucked neatly between many other DVD's! So my appology for this belated response!Last night we finally watched it.
I am sure most people here never heard of that director, and jumping a bit forward I think his best film would be Gorod Zero, apparently not available in the US.
The Rider IS available, and I think it warrants a look, as it is sufficiently different from most of the stuff floating around today.
The Rider is one of the films where the familiarity with the subject makes the viewing so much more rewarding and even clearer, so I would strongly recommend anyone undertaking this task to read on Boris Saviknov and his hopeless fight against the bolshevism.
Overall I would rate the Rider as a mesmerizing, almost hypnotic movie, but perhaps unfinished. Not in the sense that the director missed the chance to say all he wanted, more that he had plenty of emotions but was not sure himself what they all meant and what had to be said. In that sense it is his search, the search that does not produce any palpable results, but with plenty of good observations along the way.
The film is elegant and beatifully done, with wonderful period settings and atmosphere, the visual sensation it produces is thick and satisfying, without being overbearing.
The lead actor is well known in Russia and creates good character with depth and doubts. Call him contraversial, if you like the cliche's, for he is.
The director jumps from episode to episode in his heavenly dance, like a balerina, not touching the floor, and the result is a dreamlike sequence that is nonetheless firmly rooted in historic reality which that you can't escape.
Political idealism, terrorism, doubts, intellectually justified cruelty and murder, supressed human emotions and betrayal all are there in that one man, and you can feel him struggle under that enormous load... and that struggle was to become the story of his life, the life that eventually had to end on the cobblestone of the NKVD Lubianka jail.
Terrorism rightly occupies our minds today, so here is my innocent Trojan Horse - use that as a reason to see the film. It is bound to produce emotions and stimulate thoughts. If you are attuned to aestheticism and appreciation of beauty, you will also find it enjoyable.
Not a great film in the simplistic sense of that word, but a wonderful trip back in time, the time that has great relevancy to modern events.
Follow Ups:
Hello Victor
I'm really glad you enjoyed the film.Mesmerizing is a good word for it.I came across Savinov while reading about Sidney Reilly,from there I read a couple of books about
Boris Zaharof.Now there is a truly interesting character,I would love to see an accurate film about him.You could almost say Nicholas Cage role in 'Lord of War' is a weak portrayal of
Zaharof.
Oh, how accurate was the subtitle translation in 'The Rider Named Death'.Also have you seen the PBS series 'Reilly Ace of Spies' ?
Hi Rich,Sorry, can't tell you anything about the subs, as we had them turned off. And I do remember the series, but it was like a few centuries ago! So no good memory, unfortunately.
One interesting detail about the Rider... it was clear they filmed on a specially built location, as there are no such streets today in Moscow... then, two days ago, we started watching Dr. Zhivago, the latest Russian version, and sure enough there was the same environment, same streets, it was hard to miss that fact. In the credits they mentioned it was filmed on "Old Moscow" set, so apparently this is like that old cowboy movies town (forgot its name) where many Westerns were shot (not a pun)... it was built by the Mosfilm studio, so likely we will be seeing it in more movies.
BTW - of the three Dr. Zhivago films, this one is the closest to capturing the soul... the others were busy working on the plot line with some Hollywood finish. One area where this one excells, is in inclusion of the wonderful Pasternak poetry, which, understandably, was lost in the English versions, making them severely lacking in what Pasternak really was trying to do. The poetry is so important to the work and so beautiful it really changes the whole feel quite a bit.
Victor
I meant the subtitles...not subs.Was it an accurate translation of
what was being said on the screen?As for poetry there was a line in
one of the Reilly books which was supposedly one of his favorite
quotes,it went something like"To speak another language is to
possess another soul"It was attributed to one of the French Kings.
Yes, I meant the subtitles too... I routinely shorten that to "subs"... perhaps incorrectly? I think I have seen others do so too. So the subtitles were turned off.I agree with that quote, as different languages from different groups do not translate - they reflect different ways of not just speaking, but also thinking.
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