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In Reply to: The Prestige posted by PhilJ on October 28, 2006 at 13:51:44:
*Spoiler*Since the tone of the movie was fairly serious, the acting was good, the sets and script were good and the "transporter" device was ostensibly built by Nicolai Tesla - a real scientist of the time, the cheap and disingenuous ending took me by complete surprise. As the story progressed, I was expecting a crime mystery to be resolved in a rational way. Even as the movie plodded along and the plot kept painting itself deeper into a corner that became more and more difficult to explain in terms that obey nature laws of physics, I naively continued to hold out hope that the film was smarter than it ultimately is - that we would get satisfactory answers. And I was ready to be "wowed" at how I was fooled.
I can say this - that ending sure did take me by surprise! A real machine that creates exact (clothed) clones of adult human beings - down to the exact same thoughts and memories - and conveniently deposits either the clone or the original (random choice) within the machine and the other 30 feet away? Give me a break! What a cop out.
Follow Ups:
...than at least one *spoiled* member of it's audience and still managed to be great entertainment in spite of it's flaws.Here's a clue, master Dalton: Not every film has to obey the laws of natural physics in order to be good rousing entertainment; suspension of disbelief is a job of the actors and, to a slightly lesser degree, scriptwriters. If there was any failure with this film it's that the visual effects crew got carried away trying to create too many dazzling images to fool both the period theater audience and cinema audience that seem to preclude the possibility of Victorian smoke & mirror trickery. Personally, I had no problem with the "electrifying" elements (via Tesla) that eventually ventured into the supernatural and the grisly shaggy-dog subplot, but the Director could've dialed back the FX in post-production to better effect in a couple of scenes.
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