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In Reply to: obvious, and beside the point, first is first.... posted by late on November 28, 2001 at 07:57:11:
Lost in Space's first episode aired 9/15/65, Star Trek started 9/8/66. It's quite likely there never would have been a Star Trek if Lost In Space hadn't already proven there was an audience for science fiction on prime time TV.
Follow Ups:
Gene Rodenberry produced the first pilot episode of Star Trek in '64; the second pilot was produced after Lost in Space aired. The original pilot, "The Cage" starring Jeffery Hunter, was passed on by Paramount for a number of reasons including the cost of effects and adult theme (i.e., not enough "monsters" for Paramount in Rodenberry's vision). Subsequently, Paramount decided to take another look after Lost in Space aired and greenlighted a second pilot. BTW, I've seen the first Lost in Space pilot which, unlike Star Trek, was shot in B&W (i.e., the LIS pilot was aired on the Sci-Fi channel five or six years back). It's actually much better than the series turned out to be, with an emphasis on adventure rather than goofiness; the B&W production values were surprisingly nice.One digression: It's too bad that Lost in Space went the same direction as Man from U.N.C.L.E, which started out as a witty, realistic, action filled spy drama shot in B&W, and ended it's run as a corny camp-riddled farce shot in full color that featured well known guest stars every week (i.e., presumably in the hope of bringing viewers back during Nielson sweeps).
Unfortunately, once LIS got rolling it aimed strictly for a kiddie audience and wasted the opportunity to reach it's potential. Star Trek, in spite it's many failings which I think we can all agree, reached a more adult audience with thought provoking ideas, analogies and visions of a better future.
AuPh
In the mid Sixties Paramount was just a studio, not the part-time network they are today. They made pilots and tried to sell them to the networks. Nobody bought the first Star Trek pilot. Lost in Space went on the air on CBS and was a hit. Then, as you write, "Paramount decided to take another look after Lost in Space aired and greenlighted a second pilot". At that point NBC bought the show. It's reasonable to conclude that that decision was driven by the success of Lost in Space. Therefore, Star Trek would have remained just another one of the thousands of failed and forgotten pilots if not for Lost In Space.> > Star Trek...reached a more adult audience with thought provoking ideas, analogies and visions of a better future. < <
Not true. Star Trek was cancelled because its audience was largely teenagers and children, not the adults that advertisers wanted. As for "visions of a better future", I'm not sure that I'd characterize a militarist - if not outright fascist - state like the Federation as a "better future". I've never seen any evidence that the Federation is a democracy.
I erred when I refered to Paramount instead of NBC executives. Yes, back in the 60's Paramount only produced the greenlighted series; Rodenberry had to sell the concept to NBC who in turn sold the series to sponsors who footed the bill, but that wasn't the main thrust of my message.When I said "more adult audience", I meant a mature audience regardless of physical age; that is something Lost in Space never achieved with it's imbecillic plots and silly characters. Star Trek was cancelled in spite of it's loyal following because it was borderline in the Nielson ratings and cost quite a bit to produce in 1960's dollars. Furthermore, a well documented letter writing campaign was initiated during Star Trek's run and following it's cancellation, one of the first serious attempts to save a troubled show. I might add, that this "full court press" did NOT occur when Lost in Space was ultimately cancelled (i.e., it died quickly and disappeared without a whimper). Note: FTR, a number of well respected SF authors supported Star Trek being picked up because, in spite of it's many flaws, it was the only thought provoking episodic science fiction being produced at the time.
AuPh
Hi,
you had me nodding my head, right up to that last sentence. While there is an inherent irony, in bringing a ship loaded with weaponry into orbit and talking about peace....the show was pretty liberal. They often tried to nudge cultures toward democracy. In one show, an ancient and damaged religous icon turns out to be the Declaration of Independence. Roddenberry danced lightly around a lot of things. You could see he was hoping there would be progress, but often avoided getting specific. I can see how the demands of making a tv show makes
things look militaristic; a point Roddenberry addressed in the first episode of Next Generation.
I certainly can't claim to have seen every episode of all the permutations of Star Trek but I've watched a representative sampling of them. When was any character on any Star Trek show ever shown voting for a Federation official, or just talking about a Federation election? While the US and UK militaries are subservient to civilian political control, I don't recall that any distinction was made between the Federation as an armed force and the Federation as government. Absent any evidence that the Federation was a democracy we can only conclude from what was actually aired that it was a militarist autocracy of some sort.
Proably haven't seen the episodes of the original as many times as late; but my impression of the UFP was that it was, essentially, a defensive military alliance among various planets, each of which was presumed to a have unitary government of some sort or other. I don't get the sense that there was any qualification attached to membership other than a willingness not to make war on fellow members and, presumably, to pay the cost of such things like starfleet.Remember the great "non-interference directive"? Hardly the stuff of a militarist society.
What was probably difficult and pioneering for Star Trek was that it was conceived as a serious show for adults that was not supposed to be funny. Most earlier Sci-fi was for kids or, like L-I-S, just a goof.
You need to remember that, at the time, the big 3 TV networks had a lock on what viewers saw. The relationship among them at the time would properly be characterised as "oligopolistic competition" which is kind of a self-contradictory term.
People love to bitch about the price of cable, but the fact is that cable allowed the development of tremendous numbers of alternatives for TV viewers -- which is why the broadcast nets are hurting.
The opening of the UHF spectrum and the government's mandate (in the late 1960s) that all TV receivers have UHF and VHF tuners began to open things up, as more frequencies were available and independent stations got access to syndicated programming but the fact that cable operators funded networks that would give cable unique programming, really burst the floodgates.
> > the UFP was ... essentially, a defensive military alliance < <That's how the Warsaw Pact described itself, too. My memory is that the Federation has its own ambassadors and planetary governors, which is a little unusual for a military force (and the Enterprise is clearly a war ship). A Trekkie coworker observed that there doesn't seem to be any form of justice in the Federation other than courts martial. When Data wanted to establish whether he was a sentient being or an "it" wasn't his case heard in a military court? The point is that there's little evidence that the Federation is subservient to civilian control.
> > Most earlier Sci-fi was for kids < <
That ignores The Twilight Zone and The Outer Limits, to name just two shows.
Twilight Zone & Outer Limits -- how could I forget?But I did. Absolutely -- and far better than ST or its sucessors, I might add.
Re the nature of the Federation, I'm just not enough of a trekkie to master all the details to argue one any more than I have, one way or the other.
Re your point about courts martial: Maybe Star Trek is the justification for the secret military tribunals the administration wants to use against "terrorists." ;-)
Hi,
basically you are using conjecture. You have an impression, it's not quite accurate, but what the heck. I have seen almost every episode, of every show, often several times. I think Rodenberry commented on this, but that was back in the 70's; and I don't remember more than a general feeling; one that I tried to convey in the earlier post.
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I last saw it when the series ran on the Sci Fi network. Yeah, it's frequently goofy but I think Lost in Space has held up as entertainment better than Star Trek's clumsily - written and pretentious "message" episodes have. Even in 1967 that Frank Gorshin racism episode was laughable and it hasn't improved with age.
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