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In Reply to: Re: I'd assume it's 7.1 posted by Rod M on November 12, 1999 at 08:36:47:
I once asked what comprised a good tube (types of manufacturing processes, types of materials, types of geometries, amount of vacuum, remenant gas) & started a flame war with myself as the target. I was blamed because I posted the question & promised the powers that be not to post there ever again so they wouldn't banish me.
Ah sure you can, they've probably forgotten and Jack's never around on the weekends.Yeah $8K ain't cheap. It's tube for the front 3 channels but I don't know how many tubes per channel. I wouldn't assume 1 per/channel.
***Ah sure you can, they've probably forgotten and Jack's never around on the weekends.Maybe you should create a "Jack IN/OUT" sign... When he arrives, he should give everyone 15 seconds grace period to hide...
***Yeah $8K ain't cheap.
I think we all agree with that. We do our best.
***It's tube for the front 3 channels but I don't know how many tubes per channel. I wouldn't assume 1 per/channel.
Two. The solid state option is somewhat less expensive.
But, it'd ruine my uniform all QR voicing (Magnepan MG2.7 front, MGLR1 rear, MGCC1 center) above 60 hz. I also went with a Krell KAV-500 "current-mode" to match them with my subwoofers' servos (Velodyne FSR18). I want the tube in all the 5.1channels in my preamp too. I could care less about 7.1. I'd have to buy MGSS1s (or similarly mount 10.1s) because I can't afford anymore floor space.BTW, didn't adoption of AC-3 & DTS was to dismiss the problems associated with the limitations of genericly electronic processing? Isn't it sort of analogous to comparing audio line-doubled
CDs with DVD-As, or video line-doubled regular VHS wih DVDs? Why reintroduce it? Am I missing something?
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