|
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
....just my 2¢
» Mart £ «
Audio Asylum
where the Anal & Obsessed are the Analysts
Follow Ups:
This is if the progressive scan comes off the studio camera (or a movie transfer) - this is the "true" thing.Another kind is what is found at the output of the "progressive scan" DVD players - there it is not the original signal, but a digitally restored one. This signal is restored differently depending upon the material and it is still different from what the line doubler would do given the interlaced analog signal. It is *supposed* to be far superior, and WILL be in most good players.
It doesn't cost much to do it well inside the player. But once the analog interlaced signal is out - it is much harder. Now to get the quality comparable to the progressive scan output of a $600 DVD machine you will need perhaps a $20,000 piece of equipment.
A typical "under $5000" line doubler will generally (of course, that technology is changing too) will have far more motion artifacts than the progressive scan output of your $600 DVD player. Same is generally true of the line doublers found inside most digital TV sets, they are sometimes quite good, but still not on the same level.
I read the DVD isn't a digital image but a digitized NSCL/PAL(?) format. Thus, the interlaced signal is already present digitally. Or, do you mean something else by the interlaced signal?Anyway, I get the picture that the progressive scan inside the DVD player is analogous to an interanl DAC on a DVD-A player going to an analog pre-amp. And, a progressive scanned TV is like an analog CDP going to a digital preamp that goes through a ADC befiore being upsampled. Am I close?
....just my 2¢
» Mart £ «
Audio Asylum
where the Anal & Obsessed are the Analysts
This post is made possible by the generous support of people like you and our sponsors: