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"Capote:" why all the enthusiasm?

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A plebeian, purposefully plodding, and dull-witted account of a brilliant, witty fellow. Yes, Hoffman does a wonderful job: it's easy playing over the top guys like a Capote. If mimicry and impersonation were all there is to the acting "game," Hoffman would be at the pinnacle in this performance.
Not a mediocre or poor job, mind you, just one that considerably is below the praise it is getting. Catherine Keener is her usual wonderful self as Nelle Harper Lee, but, like Capote's character, the underwriting gives her nothing much of note to say, no scenes that sparkle or crackle.
It is hard to believe we are watching a film about an author's famed depiction of a sensational and brutal crime. The matter of fact, bland and tepid telling is more suitable to a film about jay-walking.
Do we learn much about Capote? No, except what we knew: he was an expert at using people and lying.
Anything about the murderers? No. Smith was using Capote, as well.
So, the only point of interest, since the story and characterizations are a bore, is the skill in which such a story is told. Direction, editing, and script are poor.
I must ad that the first fifteen minutes, or so, when Chris Cooper is much on screen are the best and my hopes were high that the film would continue on the high trajectory. Unfortunately, they fell as hard as Smith did through the trap door.


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Topic - "Capote:" why all the enthusiasm? - tinear 14:14:58 02/08/06 (12)


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