Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

Just the opposite

Posted by Larry I on November 30, 2009 at 12:00:23:
The pair were both cynical, self-serving types from the very beginning. The friendship comes from the realization, that, in spite of their supposed nature, they were capable of acting against their nature -- to be altruistic.

The idea that cynical, world weary types secretly long for an opportunity to be noble would appear, to us cynical types, as hopelessly corny. I think modern viewers expect a darker message or moral ambiguity so Casablanca feels somewhat dated. "The Third Man" which also deals with war/post-war profiteering, is to me, a more interesting film, because it deals out its idealism in a more complex and subtle fashion.