Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

The integration of soundtrack and visuals was terrific, I agree.

Posted by Enophile on September 26, 2011 at 07:32:18:
Hanna's escape from the underground place was an example of near perfect sonic/visual integration. Spectacular.

The cabaret scene also did a fabulous job.

There were other scenes that hit home runs, as well.

My wife and I were commenting on how well done that part of the film was.

Enjoyable flick, and I agree: it had one of the best sonic/visual integrated attacks in recent memory.

Other aspects...

I also liked the recursive dialogue from the beginning of the movie to the finish. That part was very "John Irving."

The kids (11 and 13) and my wife and I had great fun talking about what would happen to hanna after the film's action ended.

The CIA agent lady seemed to be trying to challenge Tilda Swinton from "Michael Clayton."

Didn't like the part where the bald bad guy got beat, slashed, had his leg slammed by a car door....and was still able to chase down Erik.

There were a few "Rambo" moments where the bad guys were juts too quick to pick up on where Hanna was going.

All in all, 8.5-9/10, and I try to be a harsh critic.