Home
AudioAsylum Trader
Films/DVD Asylum

Movies from comedy to drama to your favorite Hollyweird Star.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

"The Deserted Station:" somewhat of a secret to all but the most dedicated film lovers:

Posted by tinear on December 9, 2013 at 11:35:43:

Iran has been producing some of the best films for over the past 15-20 years, by several directors.
A middle-aged, middle-class couple, on an outing to an arid and abandoned area, find themselves isolated in a forgotten village. Trapped there, while her husband goes for spare parts for their broken vehicle, the woman is thrust into a life bereft of twentieth-century "improvements."
Because of obvious censorship, there are very quiet moments that have enormous significance and meaning in this film---- but only for the attentive viewer.
Don't expect melodramatic jiujitsu, trite rural, curmudgeonly characters with exaggerated mannerisms (Payne's, "Nebraska….."), and unrealistic histrionics to allow "actor" moments.
This is a quiet meditation on marriage, parenthood, and the responsibility of a human being to his neighbor, to strangers.
Okay, it does help that the central character is portrayed by the most beautiful face as ever has graced a film screen, that of Leila Hatami.
I now have watched this film three times and look forward to the fourth.