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Flashbacks - one good one

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Patrick,

I agree that the flashback technique is very rarely well integrated into the story and tends to break the stream of events. Flashbacks may not be as annoying (to me) as people who suddenly break into music and dancing, but it is often a way to establish events and characters that would be time better spent in the "real time" action. I would rather that any necessary history be done before the "current" action begins.

It does require far more intelligence to impart history to characters without blurting it out. One of the reasons I think "The Third Man" is so brilliant is the way Reed avoided cheaply revealing the character of Herry Lime in flashbacks- it would have been so much easier, but completely destroyed the whole mystery. The Kevin Costner version will be very different!

The one movie in which I think flashbacks are are nicely done is "The Godfather Part II" in which the juxtapositions of young Vito Corleone in old New York - and all the traditional realtionships- contrast to Micheals' modern alienation and the breakdown of tight family> neighbourhood> society structure. Remember the flashback scenes of young Vito and his family life immediately contrasted with Micheal's conversation with his mother, "Can a man lose his family?" In this one case, I think the flashbacks really effectively show how the world changed around the Corleones and strengthen the story.

Still, that success is very rare. My mother used to groan when a flashback appeared as, "time for another episode of 'Flashback Theatre'".

Patrick, la fois prochaine nous pouvons parler d'un autre problem de film : ordres d'reve !

Cheers,

Bambi B


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