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Dmitry and I fought over this film like the Germans and the Russians at Kursk

There is something in this film that I find extremely objectionable - to me that is the result of a less than great director tackling a very serious job, and mostly failing. I thought Klimov's approach was one of hitting you on the head with a hammer, not entering your brain quetly and powerfully - like Fellini would, for instance. But Dmitry loved it, I believe.



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