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Re: Leni Reifenstahl's Triumph of the Will

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Her work is fascinating, isn't it. I've seen both the Nuremburg Rally & 1936 Olympics films, the bio-documentary made a few years ago, and one of her "mountain" films (can't remember the title). The films she made for the National Socialist party are the most interesting.

I think the spellbinding aura of her films is due to the fact that they exceed our expectations of the genre, even though we somehow hope they will be flawed. Obvious propaganda can be shunned, derided, or coldly analysed as a mere curiosity (something those terrible people did, but oh, of course terribly banal and transparent to our modern critical gaze) but her films are so professional and groundbreaking that one can't help but admire them. Rather like Hitchcock's common device of making us feel sympathetic towards the villain. Whether she was a committed nazi or just a filmmaker fulfilling a commission one thing is certain - she believed passionately in her works and poured all her creative soul into them.

I think what sets her propaganda/documentaries apart from other such films is the tremendous sense of their own truth which they present. The Nuremburg Rally documentary in particular uses symbolism and cinematography of enormous, sweeping grandeur. This is no cheap piece of propaganda presenting banal or offensive images - it is more like a mythic spectacle - Siegfried performed by a cast of thousands and couducted by a maestro - the only problem was that Siegfried was played by Hitler.


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