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I thought Giamatti..

...'s character was obsessively concerned with being fair. An unlikely state in that historical setting.
At the start of the film, when the boy meets the magician, I thought something surprising was going to happen from the way the backdrops were so obviously painted, but the moment passed.
Like watching a "magician" (David Copperfield springs to mind) on the TV, its not much of a trick to have things happen in a film. BUt this production drove ahead unbothered by such things. The rekindling of childhood romance... shame the boy ran as fast and far as he could as soon as there had been problems.
The plot was not only signposted but spelled out.
As for Biel's character. What was she doing with the prince? She clearly had no interest, but she completely flipped as soon as the magician re-appeared.
How this got past any production meetings is beyond me.
Yes, Vienna looked nice.



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