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I liked the fact that it fooled the audience into thinking it was a story about a fictional bunch of killers when in fact, it wasn't. And then, the desert coda was a blast out of the blue: a terrific segue into an art house rumination on violence, the meaning of life, and just the calm of the desert.
I think some people couldn't handle the attempt at a more serious film. They wanted more Rambo, less existentialism.
I'd disagree on Walken; sure, he's himself, but the character had a lot of interesting facets.


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