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SPOILER: Bohr, you can't have it both ways: hyper-realism

and then a second-act of ridiculous fantasy.
It is tragic that the first hour or so was so very good with astonishing tour-de-force performances, and then the rest sank into Hollywood-itis: every act had to try and be louder and more over-the-top to hold a "target audiences" attention as the two hour mark approached.
The telekinesis stuff was dumb, too. The director must have considered throwing his kitchen sink into it.


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