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In Reply to: RE: Pauline Kael brilliantly puts Bergman into perspective in her posted by tinear on January 17, 2009 at 08:53:23
I have always loved Pauline Kael, even when I disagree with her.
While it is easy to mock the 'gloomy Swede', I do find that she comes down too hard on him here.
Bergman at his best was a realist about the world. In his films, beauty and love are hard-won things, that, when they do happen, shine all the more for it.
No one has to do 10 of his films in a row; if you do, of course you will see a certain style and outlook, much like with any great director. I have not found, in watching his major films, that he was getting tiresome or repetitious.
That said, I go in to one of his films with certain expectations, and light comedy is not one of them (although 'Fanny and Alexander' is probably his most upbeat work.)
The man had a profound understanding of the human condition. While his films could get dark, there was always some redeeming hope in most of them. I would not call "Wild Strawberries" or his other big ones "second-rate thinking."
Follow Ups:
and for attempting to place great, ponderous, importance upon second-rate philosophizing. His self-absorbed, self-pitying characters which change names from film to film (during a rather long middle-period in his career) but carry on with leaden angst, lead to a dead end, both emotionally and philosophically. It is as if Hamlet had committed suicide and not valiantly confronted his ghosts. It is this pessimism, this nihilism, which undermines many of his films.
I'd like a little sugar if I'm forced to drink battery acid.
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