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174.22.2.51
Americans. This documentary-like film is very similar to another American classic, "Exiles," in that it carefully shows the existence of a minority family as it seeks to survive day-to-day. Burnett is a master at painting beautiful scenes with a minimalist's touch and, like "Exiles," the film isn't self-serving, preachy, or trite; rather, it uses the hard-working central character--- the slaughterhouse "sheep killer"--- as a prism through which to magnify the pressures upon a poor urban family. From his "friends" always prepared to hit him up for a "loan," to those seeking to enlist his steady hand, cool head, and powerful shoulders in better-paying criminal acts, we accompany him through his daily minefield.
No speeches, no bemoaning of the situation are forthcoming nor do they appear even considered: he is so exhausted by his daily routine, and he is so enamored of his children and wife, that complaint isn't once begun. In all of American film, there isn't a better portrayal of strength, of courage in the face of certain daily adversity, than that of this surprisingly complex man and his wife.
It rightfully is hailed as an American classic but it is universal.
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Before, that this American masterpiece languished for quite some time in limbo and was little seen except for an occassional screening at film societies. There were a lucky few of us who got to see it at festivals, but it was almost unknown.
I'd also recommend Burnett's better known film To Sleep With Anger.
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