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In Reply to: RE: It has a VERY heavy, overstated "message" that could have been posted by tinear on July 22, 2011 at 08:51:44
"The constant sophomoric "why are we here" drivel, recited in breathless voice-over, was too much." - Tinear
Yes, I understand where you're coming from. That's why I had said earlier, this 'movie' needs to be appreciated as a non-linear 'poetry', not a 'novel' with standard linear chronology.
But that is just too much 'avant-garde' for me as of this moment, or as you might say, too 'sophomoric'.
It would be hard to satirize the film, it's already so over the top.
Follow Ups:
At a very young age, people question why they are here, what its all about. The central ideas of the film not only are clichés, they are repeated for effect for HOURS. And they are breathlessly mouthed in the most simplistic imaginable dialogue. The universe is a cold place and we are emotive, emotional beings. People die and there doesn't seem to be any reason.
Now, I don't mean to imply people don't think about these things as they mature; but most people have found answers at a young age--- after a tragedy, it is what allows them to continue on.
Malick's unforgivable gaffe is that he had to beat us over the head, BOTH visually and aurally, with this thought. A good filmmaker would let events speak for themselves. In "2001," and I hesitate to compare a Sistine Chapel panel to a graffiti wall, a great filmmaker shows how to address somewhat the same questions--- and many more--- in a clever, non-obvious, and original manner. Malick hasn't made a good film since his first one, "Badlands." He never reaches for anything but the 9-pound hammer.
....this movie should be appreciated as a 'poetry'.
"Malick's unforgivable gaffe is that he had to beat us over the head, BOTH visually and aurally, with this thought."
....kind like a poetry.
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