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Could you be more specific?

How is it sugar coated? I don't really think of it as a film "about good people for good people" at all. I think the tone of the film was meant to achieve a rather simple aim, namely conveying the dreaminess and melancholy that hang around *those* girls in high school, in adolescence...the unattainable otherworldliness of pretty young girls when you're an awkward young boy. More broadly, I thought it was largely 'about' the feeling of adolescence in general, the sense of momentousness that accompanies everything, the strange distance between people who are filled with emotions but incapable of expressing them, and the tragedy of parents (understandably) attempting to thwart the inevitable maturation of their children.

Flaubert has some line about Madame Bovary being his attempt to convey a certain shade of yellow. I thought Virgin Suicides was just as much about colors and tones as it was about the story, these serving to lend exactly the right sense of softhued strangeness to things.

I guess I can see what you mean about a certain 'made for TV' flavor, but I don't think of this as a cautionary tale or melodrama at all. Allegory, maybe, but not melodrama. More a distillation of the mood of adolescence, which has the romance of suicide and the poignancy of sexual confusion and distance at its apogee.

And she was 28 when she directed Virgin Suicides. It's hard for anyone, even a Coppola, to get a feature film made at that early an age these days. The time of youthful heroism and unbridled experimentalism is over. If you get a movie made or a book published or a painting shown in a museum before you're 30, you're one of the very, very lucky ones. Trust me.


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