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2001 is one of the few science fiction movies that intentionally doesn't parody.

63.177.65.131

No other science fiction film approaches its reach: it touches on anthropology, i.e. the origin of homo sapiens' intellectual development and the first use of weapons in violent combat.
Metaphysics: what comes after "life?" Are we alone?
Also, individual alienation in the super-modern world of space travel.
Further, the issue of technology overcoming traditional human nature, creating a hybrid personality, i.e. the astronaut communicating distractedly with his parents on his birthday through a screen; the father talking to his far-away daughter.
Finally, the power and potential danger posed by machines which have greater powers than humans--and which necessarily have "emotions."
The film also is remarkable for its many stunning visual moments: the bone transforming into the spaceship, accompanied by a waltz; the rotation of the stewardess; the flashing screens during the landings with that damn pinging!; the eerie silence---pierced only by the very heavy breathing---during the retrieval of the body floating in space; and, of course, the light trip and subsequent aging of the astronaut----culminating in the much-satirized embryo-rebirth.
Sorry you didn't appreciate it.


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