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As usual, you are one of the few here that take the time to provide

interesting and detailed opinion--- with reasoning to bolster it.
First off, I think you're being a bit unfair to Burns. The audience isn't meant to be the cognoscenti but the general public; remember, jazz is by far the least popular musical idiom, today, but yesteryear it was the most popular: it's edifying to look at the performers that made it so.
The narrative style is a legitimate gripe but every filmmaker has his own. One can criticize Moore, also, but he and the Burns boys are masters at communication. Neither attempts to be the ultimate word: they serve as popularizers of a viewpoint or medium. As such, their success is unmatched.
I'd also argue that it was a fairly representative group of commentators: Nat Hentoff (ignored by Jazz Inmate) prominently was used.
But, and this is a major, I've only seen the particular disc I mentioned. I certainly don't see any fatal flaws in it: the narration, the talking-heads, and the vintage performances--- visually and sonically--- were very satisfying.
Now, why don't YOU do a jazz-theme documentary?



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