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In Reply to: Re: NO, NO AND NO! posted by patrickU on May 19, 2006 at 08:38:31:
but it suffers from what is, quite obviously, improvisation in key scenes. The scene between the man and wife in the car is just embarrassingly overdone. No one has a sense of humor. In the end, many of the characters in WS and other Bergman films are so depressing, fatalistic, self-absorbed (this especially) that they become mechanical. I certainly don't care what the hell happens to them. Human beings, seldom, are so one-dimensional. Pity Bergman didn't spend some time in Italy...
Follow Ups:
Not at all. Nothing is over done! It is just the depiction of true life as it may be.
Not every one has o sole mio in his mind and character.
In fact I think it was an opimistic film.
Leaning on Dali and on psychoanalyse.
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