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In Reply to: Re: IMDb "Top 250 Films".... posted by Dalton on November 12, 2006 at 10:49:28:
First of all protecting younger people who would use the IMDB to catch up on the great films is rather silly. Firstly the IMBD is a voting contest nothing more nothing less.While I agree that some people will rate films above their favorite a 1/10 and rate their's a 10/10 does it honestly matter? I pretty much disagree with the entire list placement -- but that is true even if I look at the lists of professional film critics who will generally overate a self indulgent piece of crap because it has subtitles instead of actually discerning between good and bad foreign films.
The comment about "incompetent voting" is not exactly fair because there are a number of very bright individuals who love Lord of the Rings and while I found the whole thing to be a tedius exercise in mediocrity the fact is many very knowledgable film geeks like those films.
Most film critics rate Citizen Kane number one all time -- I have an honors Education and English literature degree - and Citizen Kane is not in my top 100 because it just does not hold up, is stiltedly acted, and the wonderful cinemetography actually detracts from the film like nails on a chalkboard detract from listening to a teacher. (I would FAR rather watch the Shawshank Redemption to most of the films I have seen -- and number 2? I can live with that)
Follow Ups:
First you say someone is taking a list too seriously, then you attack one of the most playful great films ever made!I love filmed theatre as much as the next person (literally; I love Olivier's "Othello", but also not quite as literally; for example, I also love Lumet's "Long Day's Journey into Night" and Kazan's "A Streetcar Named Desire"), but there is something about the filmmaker who plays with film the way a child opens presents on Christmas morning, drunk with the medium's abilities and potentials.
If you want to see great acting in Welles, watch Agnes Moorehead in "The Magnificent Ambersons." If you demand I show you great acting in "Kane", then look again at Everett Sloane's beautiful moment talking about the girl he saw on the ferry, or Agnes Moorehead (again) in her scene. I think the 25-year-old Welles discussing his holdings with George Coulouris isn't too shabby, either.
Perhaps one day we can hunker down between discussions of SWPBS and VFTs and compare favorite films in greater detail.
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