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Board:Note: the film under question may not have to be in color to qualify.
(Soph)
Follow Ups:
(nt)
I'm sure others showed better but the first one that came to mind is the Beethoven-accompanied nature collage in Edward G. Robinson's forced suicide scene in "Soylent Green" where he's permitted to select what he wants to see and hear as he dies.
dd
.
..
"I'm going to go pack for France."
.
the -Quatsi trilogy, Koyaanisqatsi, 70mm Color, breathtaking
the Amazon as filmed by Werner Herzog in Fitzcarraldo and Aguirre
Tarkovskys Russia
Jane Campions wild windswept West Coast New Zealand in the Piano
Peter Weirs Australia in Picnic at Hanging Rock and GallipoliBlack and White:
The Misfits, the Desert ( Nevada? )
White Mane, the Carmague, Albert Lamorisse
The Blue Light, German mountains, Leni RiefenstahlGrins
.
"I'm going to go pack for France."
And a few hundred more...
playing the same note again, this very aspect is what is so alluring about A Vertical Ray Of The Sun. The lushness of the tropical background, whether in urban gardens or in the island wildernesses is luxurious.Lawrence Of Arabia.
That opening scene in Aguirre: The Wrath Of God is staggering.
Last Of The Mohicans
A Room With A View
The Endless Summer
"Im not scared"
"Rabbit Proof Fence"there are many others too. It's difficult to pick only one.
The fields in Fays Of Heaven, the feel of the woods in Badlands, the jungle in The Thin Red Line, the entire scenes of the arrival in the Americas.
To quote Steve Marriot... "it's all too beautiful".
The Utah mountains were captured beautifully.
*
"Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods." - Albert Einstein
"Days of Heaven"
never gone to vacation in Nebraska. Go ahead, do it and they wax poetic about grain.
If you're sincere, you'd go...and take Dave c with you :-)
bleep
Tin,Not speaking for the other two posters, but I'd say it's the whole *panorama* of the movie. Also, there was the human nature aspect but that lies outside the topic.
LATER, I'll be posting on that theme; for now, Mother Nature's lovliness.
(Soph)
vein, "Giant," or "The Big Country."
Malick should have seen them...
His films, with their pace and their cinematography, allow one to REALLY see and take in the feel of the nature he so lovingly presents to us. There's a depth and an understanding and a window into the beauty of the world in the visuals in his films. Of course one has to be open to that to experience it... otherwise it might just seem like boring wheat fields.
Don't piss on my shoe and tell me it's raining.
Two mediocre ones and a good playwright.
And that little girl narrator? The ugliest, most irritating little brat. Didn't care for her accent or impediment, either.
Malick is the most overrated American director of all. He tries awfully hard to be "European" but he's a pale ghost.
His war film was pathetic, too.
Now, s, don't take this personally.
Its about nature visuals.
And all of Malick's films have extraordinary camerawork.
sfg
Not personal... just a fact. :-)
Don't piss on my shoe and tell me it's raining.
bleep
...
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