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In Reply to: What director is the best "photographer"? posted by roly94 on November 13, 2001 at 15:07:13:
If the question is: "who makes the best filmic use of photography?", then Welles is the absolute winner: just look at what he did for filmic (visual) language in "Citizen Kane", after which pictures never would be the same; the aquarium, and the mirror room scenes (I have always prefered the aquarium scene, with those dangerous fishes appearing and disappearing behind Rita Hayworth and Welles, thus revealing the true essence of what was happening) in "The Lady from Shanghai", the incredible travelling opening "Thirst of Evil" (IŽm not sure if this is the English title for that film with Charlton Heston, Welles, Marlene Dietrich,..., in which Heston is a Mexican policeman, named Vargas, and Welles incarnates a corrupt policeman in a US border small town), and the immaculate, clean photography in "An Immortal Story", a filmic jewel just 40 minutes long...As the most beautiful image maker in cinema, I still think Kurosawa is unbeatable. Just enjoy the two first parts of "Dreams", and youŽll realize why: the wood scenes, and the van Gogh pictures coming into life are of an overwhelming beauty!
Regards
BF
Follow Ups:
Hi.That is Touch of Evil incidentally.I love that film.I like it better than Citizen even.Citizen is awesome photographically.You know that Dali worked on it of course.It is pretty obvious where in the film also.I saw Dreams when it first came out.I don't remember alot about it actually.Speaking of Japanese directors Teshigaharu?'s Women in the Dunes is photographically second to none.Check it out if you haven't.Awesome.I've yet to see the Last days at Marenbad.That is good film photographically I think.Regards.
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