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Re: Divided We Fall

I posted a short time ago in the Harmonists thread that I enjoyed that we are seeing a trinkling of movies that are less about the major battles than about the little stories.

I forgot to include this one. It is certainly a worthwhile film that can very, very crudely make you aware of the risks and costs involved in Nazi Germany in what many would consider moral behavior. We often forget that the Czechs were also a victim of the onslaught.

But I must disagree with your analysis of The Pianist. From what I have read, this was a very personal film to Polansky (who, because of his criminal background, cannot make a film in the United States, and whose name still bears a certain stigma, which would seem to actually make him "un-Hollywood"), who was a victim of the Nazis. That it has a happier ending does not make it necessarily "Hollywood", as long as it sticks closely to the facts. There were certainly happy endings in Germany after the war, and those happy ending should not be made to be less important compared to the tragedies which occurred. I have no problem being given a story about someone's perseverance resulting in a happy ending.

As an example of Hollywood's need for a story, I would point to Disney's "Iron Will", a "true" story about a young kid that overcomes insurmountable odd and wins the Iditorod (sp). Problem is that he never even finished the race. That is an example of a Hollywood created happy, make you feel good, ending.

I would not place the "Pianist" in that league.


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