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In Reply to: A word on "Director's cut," in general: posted by tinear on November 18, 2007 at 06:32:42:
>>> "it's bogus." <<<Not necessarily.
You may have a point (a very small point; net, not gross) in respect to films that are digitally remastered several times and include deleted scenes as padding, either separately, branched or as outtakes. Adding value to resell a product over and over again is nothing new (it's similar to the all-too-frequent remastering of CDs with bonus tracks), but those improvements aren't the same as Director's cuts.
Theatrical release versions of films are beholden to Studios, overseen by Producers concerned with the bottom line, and subject to the input of parties not directly associated with the actual creative aspects of the picture. The reasons for this imposition on creativity are many: theater chain demands for shorter films to squeeze in additional showings, cost overruns, creative differences between Producers ('the money people') and Directors, age rating considerations, etc.
After the fact, many features have been stripped of a Director's creative control for short sighted financial considerations; this goes all the way back to the silent era, but in one fashion or another it's still prevalent today. Subjectively speaking, more films have been damaged by such efforts than improved regardless of how successful they may have been in their initial runs.
In the past, road show engagements of major releases were typically cut down in length to increase the number of showings in rural theaters, often with little thought as to how missing footage might impact the story. Before the Hayes code, regional censorship plagued films in such a way that a redacted film might not look anything like the Director's original vision. While censorship is less of a factor today, Studio producers have still been known to order finished films re-cut, usually shortening for time considerations, sometimes without even the benefit of preview screenings.
I could post example after example of how films have been edited down from the Director's original vision to suit one requirement or another from Terry Gilliam's Brazil, butchered by one or more clueless studio Producers now restored to it's original vision by the Director, to Peter Jackson's theatrical and home release versions Lord of The Rings (which are richer and more fleshed out than the theatrical versions), from Orson Welles' studio butchered version of The Magnificent Ambersons to the posthumously restored Touch of Evil, from Ridley Scott's re-envisioned Blade Runner to the studio butchered Legend now restored to it's original vision for home audiences and the revelation of his Kingdom of Heaven Director's cut over the butchered studio version with confused plot points and pacing.
>>> "You could also call it the super-size disease, now having spread to cultural items." <<<
There is no obvious corollary to fast food except that your contention appears to be composed of empty calories. In spite of the creative allegory, you seem to be spinning your reels without providing any concessions in your lobby. ;0)
>>> "Just 'cause it's bigger doesn't make it better." <<<
In theory, but by the same token good health doesn't lend itself to anorexia either (food for thought)! ;^D
AuPh
Edits: 11/19/07 11/19/07 11/19/07
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Follow Ups
- Ummm, ...not so, bro. - Audiophilander 12:06:54 11/19/07 (0)
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